Showing Records: 1 - 20 of 30
6. Un-Gulp - 7. Not Now / Sharits, Paul., 1985
This drawing is a sketch for partial plans of an installation piece that was probably not realized. This drawing was exhibited at the Paul Sharits show held at Greene Naftali gallery 2009. -- Source of annotation: Marvin or Ruth Sackner.
Alternative: 3rd Festival International de Arte Viva / Aguiar F., 1983
Benzene: Rituals. No.5-6/Spr-Sum / Allen Bealy, Sheila Keenan, editors ; Vazan B ; Elmslie K ; Nations O ; Robertson K ; Buczak B ; Faust D ; Porter B ; Levine L ; Spector B ; Kasper M ; Saville K ; Bennett JM ; Andrews B ; Pittore-Eurofico C ; Bernstein C ; Hendricks G ; Zelevansky P., 1982
Cenizas. No.12/Jul / Alberta Mayo, editor ; Herms G ; Dupuy J., 1981
Collected Poems Volume Seven: Vowels & Consequences / Cobbing, Bob ; Griffiths B., 1985
Bill Griffiths' introductory essay explains how Cobbing has used the duplicator, ink, stencils and over-printing to create texts of shapes and textures. They "move away from word and letter as conventional symbols...into a new semantics of shape. The works in this book date from 1970 to 1976. -- Source of annotation: Marvin or Ruth Sackner.
do it / Cox, Kenelm., 1967
One copy is inscribed in graphite as 'do it' and the other copy in red ink as 'tonk, can you spare the time to do it? -- Source of annotation: Marvin or Ruth Sackner.
Ensaio para uma Interaccao de la Escrita / Aguiar, Fernando., 1985
Flash Art. No.66-67/Jul-Au / Giancarlo Politi, editor ; Gastini M ; Nannucci M ; Chiari G ; Art & Language ; Gaul W ; LaRocca K ; Vaccari F ; Ben ; Export V ; Janicot F ; Dorfles G ; Antin E ; Lakner L ; Gette PA ; Knizak M ; Valoch J ; Tot E ; Horwitz C., 1976
Language to Cover a Wall: Visual Poetry through Its Changing Media / Steve McCaffery, curator ; Karen Mac Cormack, curator ; Michael Basinski, curator ; Sackner MA ; Dutton P ; Kubota J ; Sutherland WM ; And M ; Beaulieu D ; bissett b ; Bok C ; Bory JF ; Bradley Df ; Broudy H ; Carroll L ; Chopin H ; Cinicolo-3 D ; Claire P ; Cobbing B ; Coolidge C ; Copithorne J ; cummings ee ; curry jw ; Cutts S ; Daniels D ; Danon B ; DeCampos A ; Plaza J ; deCointet G ; Dellafiora D ; Vigo EA ; Drucker J ; Dudley M ; Endwar ; Etlinger A ; Federman R ; Finlay IH ; Fritton C ; Furnival J ; Grumman B ; Gut E ; Halsey A ; Heidsieck B ; Herbert G ; Higgins D ; Holzer J ; Houedard DS ; Howe W ; Huth G ; Jaeger P ; Jess ; Jirgens K ; Joe ; Johnson R ; Johnson Ro ; King R ; Knowles A ; Kostelanetz R ; Kriwet F ; Kruger B ; Lax R ; Leftwich J ; levy da ; Logue C ; Lora-Totino A ; MacLow J ; Mayer HJ ; Mon F ; Monk G ; Nichol bp ; O'Brien G ; Padin C ; Patchen K ; Paz O ; Phillips T ; Rosenberg MR ; Royer R ; Serafini L ; Todorovic M ; Spoerri D ; Valoch J ; VanHorn E ; Watt B ; Weiner H ; Werschler-Henry D ; Williams J ; Glazier LP., 2011
Marvin Sackner presented the opening night address entitled "jw curry's Exemplary Archive" for the symposium that also included a performance by a group of Canadian sound poets. Many of the works in this exhibition were lent from the collection of McCaffery and MacCormack. -- Source of annotation: Marvin or Ruth Sackner.
L'Art en Transit, no. 6: Depanne Machine recontre Depanne Machine, Boite Noir, 1996
This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.